Wednesday, 7 August 2013
Sunday, 4 August 2013
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| Semiotext(e) 978-1-58435-106-1 |
In the end I think Jarett Kobek's "Atta" is the only book one really needs to read regarding September 11. It's a tragic and sad tale. Atta was one of the key figures who was the "soldier" or "Terrorist" who flew the plane into one of the towers on that clear September day. Which I hope by the way, over time, that date becomes just a date and not a memory of the incident, that opened up Pandora's Box of 21st Century tragedies - Iraq War, etc and etc.
Atta, by all means a close-minded fellow, is repulsed and fascinated by American culture. For me, the most interesting part of this narrative is his thoughts on Walt Disney and one of his films. He saw it with his fellow thugs, and was totally repulsed by what he saw on the screen. When they started to have articles in the media about Atta, I remember the Disney fixation and how that sort of became a focus of sorts. Kobek did an excellent job in getting into Atta's head, especially his thoughts on architecture as well as popular media and the Urban Landscape, both his home in Egypt as well as in the U.S./Europe. It's amazing how suspenseful the book is, especially we know the narrative already. This handsomely designed little book is an important work, yet depressing. But one has to go through the pain (at times) to get to a truth of some sort. Essential book!
Wednesday, 24 July 2013
An iconic writer writing about an iconic city at an iconic time of history. But nevertheless this is not an essential book by Ernest Hemingway, but an interesting one because he captures the world of Paris in a series of snapshots. For some, the political history will be obscure, but one does feel the excitement of living in a foreign land at that time.
The mixture of French politics, cultural news, and daily life is a nice mixture for this book. All the pieces are actual articles that he wrote for a Canadian paper - and some are very short, and then there are others that are two or three pages long. For me the main strength of the book is when he covers the daily life of a Parisian. For whatever reasons I was charmed about the lack of good manners of Parisians on public transportations, such as the bus. Also he politely rages against the American visitor or tourist in Paris. It sort of reminds me of the boring issue of 'hipsters' in a community. Everything stays the same except for architecture, decay, and wars.
Monday, 22 July 2013
Harry Nilsson is a fascinating music artist. For me, he was someone that was around, but never the focus on any scene. On one hand he had direct contact with The Beatles (who admired Harry's work greatly as well as a friend) and on the other he was very much in tuned with the pop music market. In one way he can be seen as the bridge between music underground and music 'overground. He was very much the professional music songwriter and yet on his solo recordings took great chances. And I think now because he did took those chances, he is much and greatly admired.
Born in Bushwick Brooklyn (one would think there should be a stature of him at the Bushwick station) from a troubled family came a songwriter who wrote incredibly moving songs about the bonding of friendship and parent & child. "Me And My Arrow" is without a doubt one of the great songs about a human and his dog. And as they about the milkman whistling a tune, I do the same for this song whenever I take a walk around the neighborhood. That song works on so many levels. Alyn Shipton's biography captures the essense of this talented man, who it seems was loved by his friends and family, but had .... a hard life of sorts. With respect to drinking, that seems to me close to the glory years of Errol Flynn and WC Fields. Him, Ringo, Keith Moon, and others... being in the same room with them doesn't sound like it was good for one's health, but nevertheless a lot of fun. The fact that one meets Harry for lunch usually means they get back home about two days later, is all part of his incredible personality and sense of fun and wonder.
It is unusual for Oxford to do a biography on a contemporary music figure, but this is a superb book. A must for all Nilsson fans of course, but also for the causal curious music geek who wants to know what it was like to be in the center of the pop world during the late 1960's and '70's. The later years are kind of sad, but without a doubt he was a remarkable figure in American music as well as iconic in his stance as the ultimate party boy. But in the end one is left with the albums, and that is a great journey to go on. Make sure you have this book as you take that trip...
Friday, 19 July 2013
Once there is an illustration of one's self, I feel I made the big time. Illustration by Amy Hagemeier http://akhhka.blogspot.com/ for L.A. Record, which by the way has a fantastic interview with yours truly regarding "Sparks-Tastic" and other subject matters.
Wednesday, 17 July 2013
I can't think of anything more enjoyable than reading a collection of essays by Geoffrey O'Brien. As a writer, I look up to him, because it seems he has it all. Good taste, good job (he's the editor-in-chief of the Library of America) and a lover or observer of pop culture. "Castaways of the Image Planet is mostly about film, but I feel he goes beyond that medium to write about culture that has spawn from the film aesthetic.
His commentary on Bing Crosby, The Marx Brothers, Mike Leigh, and Japanese Manga comics are my favorite in this collection. And again he's a guy who knows a lot, and can articulate the essence of his subject matters. I recommend this book to anyone who likes to read film criticism, but also how a writer approaches his subject matter. So in one word, great.
Wednesday, 10 July 2013
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| Bodley Head Isbn: 9780224073912 |
The cover and title is basically a magnet and it pulled me in right away. But as I read it there are two mistakes that really bothered me. One is claiming that Boris Vian was married to Juliette Gréco (he wasn't) and that the Beatles met Elvis at Graceland (they didn't meet there). The author Richard Weight is a historian, so this is a major mistake on his part or his research assistants. So as you can gather, "Mod" is the history of that cult, but it goes beyond Mod to what the author feels is their influence on future cultural movements. I think the book at this point over extends the subject matter or loses the object of desire that is Mod, when focusing on almost every music and youth movement in the U.K. after the golden era of Mod.
When he writes of the original Mod figures of the 60's and before that decade, its very interesting. But he wonders off the beaten path to write about the entire history of British pop culture. Mod to me was a very unique movement at a very specific time. It would have been much more interesting if he just focused on that world and nothing else. Also the author seems distant to his subject matter. I got the feeling that he isn't really into music or culture - more of a historian looking at his subject matter. There are other great books out there on the subject matter of Mod, but this one isn't part of that pack.
It doesn't have the colorful appreciation from someone like Andrew Loog Oldham, or even the wit and charm of Simon Napier-Bell. Mod is a big subject matter, and hopefully there will be more books in the near future. But this is a very dry history on a fascinating world. At its best it can serve as an introduction and hopefully the reader will do their own research to track down authors, personalities, and other book titles. His suggested reading on Mod Culture is good, but not large enough, which is ironic because this book is pretty hefty in the page and text department.
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